Mercedes-Benz Art Scope 2018-2020

Dates : July 23 (Thursday/national holiday) – September 6 (Sunday), 2020

*A reservation is required to visit the museum.For details about the reservation-based admission system, please click here .
*One exhibit requires the use of earphones. Visitors, if possible, are requested to bring their own earphones or headphones.

The Hara Museum of Contemporary Art is delighted to present Mercedes-Benz Art Scope 2018-2020. Since 2003, the Hara Museum has partnered with Mercedes-Benz Japan in the Art Scope artist-in-residence program which invites young artists from Japan and Germany to live in and draw inspiration from a different cultural environment. In 2018, the Japanese artist Tsuyoshi Hisakado was sent to Berlin for the 2018-2020 program and from Germany, the Cypriot artist Haris Epaminonda was sent to Tokyo in 2019. This exhibition presents the fruits of their respective experiences, as well as new works by a previous Art Scope participant, Meiro Koizumi (Berlin, 2010). All artists intend to present new work that addresses the current situation, made during a time of social and physical constraints.

Participating Artists
Tsuyoshi Hisakado
Born in 1981 and lives in Kyoto, Hisakado received an M.F.A. in sculpture at Kyoto City University of Arts in 2007. His major exhibitions in recent years include Aichi Triennale 2016, Culture City of East Asia 2017 Kyoto: Asia Corridor Contemporary Art Exhibition, MAM Project 025 (Mori Art Museum, Tokyo, 2018) and the 58th Venice Biennale International Exhibition May You Live in Interesting Times. In 2016, he created the stage design for chelfitsch’s Time’s Journey Through a Room which was performed worldwide. In 2019, his debut theater work Practice of Spiral was staged at ROHM Theatre Kyoto as part of the Kyoto Experiment: Kyoto International Performing Arts Festival. Hisakado’s first large-scale solo exhibition in Japan Practice of Spiral opened at the Toyota Municipal Museum of Art in March 2020.

Tsuyoshi Hisakado, “Resume”, 2020 lauan plywood panel and parts, acrylic paint, natural light, aircraft sounds, insect sounds, train sounds, various sounds audible from the sun room, 6000-Hz sine wave size varied Photo: Keizo Kioku

Haris Epaminonda (with a work by Daniel Gustav Cramer)
Born in Nicosia, Cyprus in 1980 and lives in Berlin, Epaminonda studied at the Royal College of Art and Kingston University in England. In 2013, she was one of four artists shortlisted for Germany’s preeminent art prize, the Preis der Nationalgalerie. She represented Cyprus at the 52nd Venice Biennale in 2007 Old earth, no more lies, I’ve seen you … and the 58th Venice Biennale May You Live in Interesting Times where she won the Silver Lion for a Promising Young Participant. She has also contributed to many other international exhibitions such as the Berlin Biennale (2008) and dOCUMENTA 13 (2012) in Kassel, Germany. In Japan, she participated in the group exhibition The Kaleidoscopic Eye: Thyssen-Bornemisza Art Contemporary Collection at the Mori Art Museum in 2009.

Haris Epaminonda, “Untitled #01 b/l”, 2020 Installation of wooden brass gilded sphere, red carpet, sound, text on paper (work contribution by Daniel Gustav Cramer titled ‘Hiroshi,’ 2020) size varied Photo: Keizo Kioku

Meiro Koizumi
Born in Gunma, Japan in 1976 and lives in Yokohama, Koizumi graduated from International Christian University and studied at Chelsea College of Art and Design (London). His past solo exhibitions include MAM Project 009 Koizumi Meiro at Mori Art Museum, Tokyo (2009), Projects 99: Meiro Koizumi at The Museum of Modern Art, New York (2013), Trapped Voice Would Dream of Silence, Arts Maebashi, Maebashi, Japan (2015) and Battlelands at Perez Art Museum Miami (2018). Group shows include Art Scope 2009-2011: Invisible Memories, Hara Museum of Contemporary Art (2011), Future Generation Art Prize 2012, Pinchuk Art Center, Kiev (2012), Demarcation, Ginza Maison Hermès Le Forum, Tokyo (2015), the 12th Shanghai Biennale (2018) and Sharjah Biennial 14, UAE (2019). His works are included in numerous collections all over the world. His VR-incorporated theater work Prometheus Bound was presented at Aichi Triennale 2019.

Meiro Koizumi, “Anti-dream #1 (room with a sculpture)”, 2020, sound sculpture with sound device, headphone, moving-head light, collage, empty room Photo: Keizo Kioku


July 23 (Thursday/national holiday) – September 6 (Sunday), 2020

Organized by

Hara Museum of Contemporary Art and Mercedes-Benz Japan Co., Ltd.

Under the auspices of

Embassy of the Federal Republic of Germany in Japan

Cooperation provided by


Cooperation and residency program coordination provided by

Arts Initiative Tokyo [AIT]


weekdays 11:00 am – 4:00 pm /weekends until 5:00 pm
Please note that weekday hours have been shrtened and there will be no evening hours on Wednesday.


Mondays (except August 10) and August 11


General 1,100 yen; Students 700 yen (high school and university) or 500 yen (elementary and junior high); Free for Hara Museum members and students through high school every Saturday during the school term

*Please note that the exhibition period and starting date are subject to change depending on the Covid-19 situation.